The DVD lasts just under two hours and Adam spends between 20 to 30 minutes teaching each arrangement. The video begins with a short introductory segment in which Adam encourages guitarists not to be intimidated or frustrated with the complex material presented in the video. He then briefly talks about what he calls “learning how to learn” and describes four specific stages of the learning process that students will encounter while working through the pieces. Adam adds that he continues to practice these pieces often and that he too is still fine tuning his performances!

The remainder of the video takes a no-nonsense approach. Each of the four songs is shown being performed in it’s entirety and is then deconstructed and analyzed in the following segment. During the instruction segments the video consistently shows a close up of Adam’s left hand and an smaller inset of his right hand so guitarists can closely study either hand. Adam is comfortable in front of the camera and is obviously used to breaking down information into short, easily understood phrases. There is enough detail given to the specialized guitar techniques used that you can’t misinterpret how to recreate them. Once enough explanation has been given, short sections of the tune are demonstrated at a slow enough tempo that intermediate-level players should be able to start playing along with only a little practice. Adam ends most instructional segments with some performance notes and often points out places where he has slightly changed elements of the original songs in order to make them groove harder and sound more at home on the guitar. Below is a short trailer for the DVD.

The 30-page booklet that accompanies the DVD contains very detailed scores in standard notation and tablature. Left-hand fingerings are included for every note and occasional right-hand fingerings are indicated as well. Often there are notes from Adam in the music suggesting alternate fingerings or describing guitar techniques that printed notation can’t clearly show. My only gripe about the booklet is that it’s a bit small. The booklet is made from standard 8.5 x 11 paper folded in half like a church bulletin. It’s certainly not any worse than what is included with most instructional DVDs but I may take the booklet to Kinko’s and enlarge each page to make it easier on my 39-year-old eyes.

Although the arrangements are quite complex and will take even an experienced player some time to master, I’m sure anyone wanting to better understand how to arrange for solo fingerstyle guitar would benefit from watching the DVD. Adam either directly or indirectly addresses a myriad of concepts and techniques that guitarists use when creating solo arrangements. Some of these include: choosing a key signature, isolating melody and bass lines, understanding syncopation, cross-string scales, right-hand-slaps, hammer-ons form nowhere, hinge barres, and more.

I totally enjoyed watching and working with this DVD. Adam’s friendly vibe and attention to detail ensure that any guitarist willing to spend time practicing the material will be able to master the four songs presented.

Visit www.adamrafferty.com to find out more about Adam or check out his YouTube channel to enjoy more of his music.

These days I use it mostly as a solo piece, but you could also use it as an instrumental break if you’re performing the song with vocals. Have fun with it, it’s been a great addition to my repertoire. If you enjoy the arrangement or have any questions please leave me a comment. I’d love to hear from you!

The Music

In PDF format:
Scarborough Fair

Practice Notes

The arrangement is pretty straight-forward. Bringing the piece to life mostly rests on your ability to bring out the melody. It was difficult to notate the melody notes separately from the accompaniment, so I’ve included the vocal line to clear that up. Be aware of the melody at all times and work to keep it above the level of the other notes.

If you’ve never worked through Paul Simon’s accompaniment before, start with just the intro which will familiarize you with the right-hand pattern that flows throughout most of the piece. Be careful between bars 5 and 6. They will require you to lift your left-hand fingers on the downbeat of bar 6 for a clean transition. Most guitarists get in the habit of lifting before the downbeat, but that last A in bar 5 won’t allow for it! Also, note that although the vocal line in bars 11 and 23 indicates a value of a dotted-half note, I wanted to allude to the longer melody note while maintaining the accompaniment part, so I changed the attack on the G at beat 3 to a pull-off in order to soften the transition between the two parts.

Finally, notice the capo indication. On the original Simon & Garfunkel recording the guitar is capoed at the seventh fret,causing the song to sound in the key of E minor. As a solo artist, you can choose capo anywhere you’d like – or not at all – but I think that the high capo position is responsible for creating the magical, delicate sound that’s associated with this song.

So I turned to the movie soundtracks of When Harry Met Sally and Sleepless in Seattle. These films and few others like them use a lot of great sentimental old tunes in their soundtracks. I hope that by including these songs in my sets they will suggest the same air of romance and nostalgia that they did in the films, and sound at least a little bit familiar to the average listener.

I’ve been winging my way through one of these tunes: “You Made Me Love you” from Sleepless in Seattle on the gig for a while now with just a lead sheet and I figured that it’s about time to write out some of my better ideas and clean up the rough spots. This arrangement seems to lean heavily on some of the ideas I picked up from studying Barry Galbraith’s work. Below is the arrangement for you to check out in PDF format. If you enjoy the arrangement or have any questions please leave me a comment. I’d love to hear from you!

The Music

You Made Me Love You PDF

NOTE: The arrangement was updated Friday March 6, 2009. The newer version includes first and second endings and a tag.