Musicologist Dr. Bradley P. Lehman believes that the above symbol – which was inked by Johann Sebastian Bach just above the words “Well-Tempered Clavier” – notates Bach’s specific method of keyboard tuning which has been lost for almost 300 years.

Lehman wites: “I believe its particular sound, as an integrated part of musical practice, has profound implications…”

You can read about how the squigly line translates into precise mathematical relationships and listen to recordings of Bach’s work using the tuning at larips.com. I especially recommend reading the Informal Lecture in which Lehman does a great job of recounting his discovery and the explains historical evidence for his conclusions in a fun and easy-to-understand article.

2 Comments on “Bach’s Rosetta Stone?”

  1. moshhuNo Gravatar said:
    December 12th, 2005 at 12:35 am

    Thanks for posting this. I went to the linked site and spent hours there. Very exciting!

  2. Bradley LehmanNo Gravatar said:
    January 12th, 2006 at 1:25 pm

    Hi John, thanks for posting this! This tuning is becoming rather popular now and there are many recordings being released in these first months of 2006, starting with my own two last week. Details are at my page
    http://www-personal.umich.edu/~bpl/larips/usage.html

    A European harpsichordist (Richard Egarr) is coming through with a US tour in March/April, using this. Maybe you can hear him in Pittsburgh?

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"Music was my refuge. I could crawl into the space between the notes and curl my back to loneliness." Maya Angelou